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Διάβασε τη συνέντευξη του Έρικ Κραντζ (Τόφερ του Dollhouse) στο IF Magazine.

After I saw FIREFLY, I was so obsessed with Joss, it was like I was star-struck coming to set, so I understand how much people love him and how excited people are about the work he’s done and how hopeful people are that this will continue to be great work.

I’m hoping to do my best. In terms of [Whedon’s] audience, they’re in the upper class. They’re a sophisticated, demanding audience and I want to do the best I can to have them respect me, because I know I have a role that Joss fans are supposed to like. If Joss has a voice in the show, I have that role. And I don’t want to let his fans down, because I have as much respect for him as I think everyone else does that likes his work. I was crying at the end of SERENITY. I’m obsessed. [Topher is] exactly like the Alan Tudyk character – well, not exactly. But if there’s a kind of personality and that kind of tone, that color for the ensemble, I definitely am the Wash, just in terms of a flavor. I mean, it’s a different world, and Wash is a good guy. Topher is very questionable, but if you’re going to get that humor out of a show that deals with real characters and real human interactions in a science-fiction setting, then I’m very much like Wash.